mcgillianaire: (Sachin Tendulkar)
[SOURCE]

The Cincinnati Reds beat the Philadelphia Phillies 2-1 on this night in 1935 in Major League Baseball’s first-ever night game, played courtesy of recently installed lights at Crosley Field in Cincinnati.

The first-ever night game in professional baseball took place May 2, 1930, when a Des Moines, Iowa, team hosted Wichita for a Western League game. The game drew 12,000 people at a time when Des Moines was averaging just 600 fans per game. Evening games soon became popular in the minors: As minor league ball clubs were routinely folding in the midst of the Great Depression, adaptable owners found the innovation a key to staying in business. The major leagues, though, took five years to catch up to their small-town counterparts.

The first big league night game on this day in 1935 drew 25,000 fans, who stood by as President Roosevelt symbolically switched on the lights from Washington, D.C. To capitalize on their new evening fan base, the Reds played a night game that year against every National League team–eight games in total–and despite their lousy record of 68-85, paid attendance rose 117 percent.

Though baseball owners had a well-deserved reputation for being old-fashioned, most teams soon followed suit, as they knew night games would benefit their bottom line. Teams upgraded their facilities to include lights throughout the 1930s and 40s, and before long, most of the league had night games on the schedule. Wrigley Field, on Chicago’s North Side–the second oldest major league park after Boston’s Fenway–was the last of the parks to begin hosting night games. Wrigley’s tradition of hosting only day games held for 74 seasons until August 8, 1988, when the Cubs hosted the Philadelphia Phillies. That game was rained out in the third inning, so Wrigley’s first night game is officially recorded as a 6-4 win over the New York Mets on August 9, 1988. The Cubs are the only major league team that still plays the majority of their home games during the day.
mcgillianaire: (Did You Know?)
[SOURCE]

"The world’s first parking meter, known as Park-O-Meter No. 1, is installed on the southeast corner of what was then First Street and Robinson Avenue in Oklahoma City, Oklahoma on this day in 1935.

The parking meter was the brainchild of a man named Carl C. Magee, who moved to Oklahoma City from New Mexico in 1927. Magee had a colorful past: As a reporter for an Albuquerque newspaper, he had played a pivotal role in uncovering the so-called Teapot Dome Scandal (named for the Teapot Dome oil field in Wyoming), in which Albert B. Fall, then-secretary of the interior, was convicted of renting government lands to oil companies in return for personal loans and gifts. He also wrote a series of articles exposing corruption in the New Mexico court system, and was tried and acquitted of manslaughter after he shot at one of the judges targeted in the series during an altercation at a Las Vegas hotel.

By the time Magee came to Oklahoma City to start a newspaper, the Oklahoma News, his new hometown shared a common problem with many of America’s urban areas–a lack of sufficient parking space for the rapidly increasingly number of automobiles crowding into the downtown business district each day. Asked to find a solution to the problem, Magee came up with the Park-o-Meter. The first working model went on public display in early May 1935, inspiring immediate debate over the pros and cons of coin-regulated parking. Indignant opponents of the meters considered paying for parking un-American, as it forced drivers to pay what amounted to a tax on their cars, depriving them of their money without due process of law.

Despite such opposition, the first meters were installed by the Dual Parking Meter Company beginning in July 1935; they cost a nickel an hour, and were placed at 20-foot intervals along the curb that corresponded to spaces painted on the pavement. Magee’s invention caught on quickly: Retailers loved the meters, as they encouraged a quick turnover of cars–and potential customers–and drivers were forced to accept them as a practical necessity for regulating parking. By the early 1940s, there were more than 140,000 parking meters operating in the United States. Today, Park-O-Meter No. 1 is on display in the Statehood Gallery of the Oklahoma Historical Society."
mcgillianaire: (South Park Me)
[SOURCE]

"The critically acclaimed 2002 biopic Walk The Line depicts the life and career of Johnny Cash from his initial rise to stardom in the 1950s to his resurgence following a drug-fueled decline in the 1960s. The selection of this time span made perfect sense from a Hollywood perspective, but from a historical perspective, it left out more than half of the story. There was still another dramatic resurgence to come in the second half of Johnny Cash’s 50-year career, which reached another low point on this day in 1986, when Columbia Records dropped him from its roster after 26 years of history-making partnership.

Columbia first signed Johnny Cash in 1960, using a lucrative contract to lure him away from his Sun Records, his first label and also the early home of Elvis Presley, Jerry Lee Lewis and Carl Perkins. Cash’s first Columbia single, “All Over Again,” made the country Top 5, and his second, “Don’t Take Your Guns To Town” made it all the way to #1, while also crossing over to the pop Top 40. But the biggest hits of Cash’s career were yet to come, including an incredible eight #1 albums in an eight-year span: Ring of Fire: The Best of Johnny Cash (1963); I Walk The Line (1964); Johnny Cash’s Greatest Hits (1967); At Folsom Prison (1968); At San Quentin (1969); Hello, I’m Johnny Cash (1970); The Johnny Cash Show (1970); and Man In Black (1971). During this period, Johnny Cash established himself as a titanic figure in American popular culture while selling millions upon millions of records for Columbia, but by the mid-1980s, fashions in country music had shifted dramatically away from his old-school style, and the hits simply stopped coming.

In 1986, having also recently dropped jazz legend Miles Davis from its roster of artists, Columbia chose to end its no-longer-profitable relationship with Johnny Cash. Cash did not remain professionally adrift for long, however, releasing four original albums and numerous re-recordings of earlier material over the next seven years on Mercury Records. But it was not until 1994 that Cash truly found his creative bearings again. That was the year that he released the album American Recordings, the first in a series of albums on the label of the same name headed by Rick Rubin, the original producer of the Beastie Boys and the co-founder, with Russell Simmons, of Def Jam Records.

Under Rubin’s influence, Cash moved to a raw, stripped-down sound that proved to be enormously successful with critics, with country traditionalists and with hipster newcomers to country music. When his second Rubin-produced album, Unchained, won a Grammy for Best Country Album in 1998, American Recordings placed a full-page ad in Billboard magazine featuring a 1970 photo of Cash brandishing his middle finger under the sarcastic line of copy, “American Recordings and Johnny Cash would like to acknowledge the Nashville music establishment and country radio for your support.”

Johnny Cash went on to have two more massively successful solo albums with American Recordings prior to his death in 2003. Rick Rubin went on to become co-head of Columbia Records in 2007."
mcgillianaire: (Bedouin in Desert)
[SOURCE]

"On July 13, 1985, at Wembley Stadium in London, Prince Charles and Princess Diana officially open Live Aid, a worldwide rock concert organized to raise money for the relief of famine-stricken Africans. Continued at JFK Stadium in Philadelphia and at other arenas around the world, the 16-hour “superconcert” was globally linked by satellite to more than a billion viewers in 110 nations. In a triumph of technology and good will, the event raised more than $125 million in famine relief for Africa.

Live Aid was the brainchild of Bob Geldof, the singer of an Irish rock group called the Boomtown Rats. In 1984, Geldof traveled to Ethiopia after hearing news reports of a horrific famine that had killed hundreds of thousands of Ethiopians and threatened to kill millions more. After returning to London, he called Britain’s and Ireland’s top pop artists together to record a single to benefit Ethiopian famine relief. “Do They Know It’s Christmas?” was written by Geldof and Ultravox singer Midge Ure and performed by “Band Aid,” an ensemble that featured Culture Club, Duran Duran, Phil Collins, U2, Wham!, and others. It was the best-selling single in Britain to that date and raised more than $10 million.

“Do They Know It’s Christmas?” was also a No. 1 hit in the United States and inspired U.S. pop artists to come together and perform “We Are the World,” a song written by Michael Jackson and Lionel Ritchie. “USA for Africa,” as the U.S. ensemble was known, featured Jackson, Ritchie, Geldof, Harry Belafonte, Bob Dylan, Cyndi Lauper, Paul Simon, Bruce Springsteen, Tina Turner, Stevie Wonder, and many others. The single went to the top of the charts and eventually raised $44 million.

With the crisis continuing in Ethiopia, and the neighboring Sudan also stricken with famine, Geldof proposed Live Aid, an ambitious global charity concert aimed at raising more funds and increasing awareness of the plight of many Africans. Organized in just 10 weeks, Live Aid was staged on Saturday, July 13, 1985. More than 75 acts performed, including Elton John, Madonna, Santana, Run DMC, Sade, Sting, Bryan Adams, the Beach Boys, Mick Jagger, David Bowie, Queen, Duran Duran, U2, the Who, Tom Petty, Neil Young, and Eric Clapton. The majority of these artists performed at either Wembley Stadium in London, where a crowd of 70,000 turned out, or at Philadelphia’s JFK Stadium, where 100,000 watched. Thirteen satellites beamed a live television broadcast of the event to more than one billion viewers in 110 countries. More than 40 of these nations held telethons for African famine relief during the broadcast.

A memorable moment of the concert was Phil Collins’ performance in Philadelphia after flying by Concorde from London, where he performed at Wembley earlier in the day. He later played drums in a reunion of the surviving members of Led Zeppelin. Beatle Paul McCartney and the Who’s Pete Townsend held Bob Geldof aloft on their shoulders during the London finale, which featured a collective performance of “Do They Know It’s Christmas?” Six hours later, the U.S. concert ended with “We Are the World.”

Live Aid eventually raised $127 million in famine relief for African nations, and the publicity it generated encouraged Western nations to make available enough surplus grain to end the immediate hunger crisis in Africa. Geldof was later knighted by Queen Elizabeth II for his efforts.

In early July 2005, Geldof staged a series of “Live 8″ concerts in 11 countries around the world to help raise awareness of global poverty. Organizers, led by Geldof, purposely scheduled the concert days before the annual G8 summit in an effort to increase political pressure on G8 nations to address issues facing the extremely poor around the world. Live 8 claims that an estimated 3 billion people watched 1,000 musicians perform in 11 shows, which were broadcast on 182 television networks and by 2,000 radio stations. Unlike Live Aid, Live 8 was intentionally not billed as a fundraiser–Geldof’s slogan was, “We don’t want your money, we want your voice.” Perhaps in part because of the spotlight brought to such issues by Live 8, the G8 subsequently voted to cancel the debt of 18 of the world’s poorest nations, make AIDS drugs more accessible, and double levels of annual aid to Africa, to $50 billion by 2010."
mcgillianaire: (Default)
[SOURCE]

"In the East End of London, revivalist preacher William Booth and his wife Catherine establish the Christian Mission, later known as the Salvation Army. Determined to wage war against the evils of poverty and religious indifference with military efficiency, Booth modeled his Methodist sect after the British army, labeling uniformed ministers as “officers” and new members as “recruits.”

The Christian Mission, in which women were given ranks equal with men, launched “campaigns” into London’s most forsaken neighborhoods. Soup kitchens were the first in a long line of various projects designed to provide physical and spiritual assistance to the destitute. In the early years, many in Britain were critical of the Christian Mission and its tactics, and the members were often subjected to fines and imprisonment as breakers of the peace.

In 1878, the organization was renamed the Salvation Army, and two years later the first U.S. branch opened in Pennsylvania. During the Great Depression, the Salvation Army provided food and lodging for those in need, and during both world wars it distinguished itself through its work with the armed forces. By then, it had come to be appreciated as an important international charity organization.

Today, the Salvation Army, still based in London, has branches in more than 75 countries. The Army operates evangelical centers, hospitals, emergency and disaster services, alcohol and drug rehabilitation programs, community centers, social work centers, secondhand stores, and recreation facilities. Voluntary contributions and profits from the sale of its publications fund the organization."
mcgillianaire: (Scale of Justice)
[SOURCE]

"In Furman v. Georgia, the U.S. Supreme Court rules by a vote of 5-4 that capital punishment, as it is currently employed on the state and federal level, is unconstitutional. The majority held that, in violation of the Eighth Amendment to the Constitution, the death penalty qualified as “cruel and unusual punishment,” primarily because states employed execution in “arbitrary and capricious ways,” especially in regard to race. It was the first time that the nation’s highest court had ruled against capital punishment. However, because the Supreme Court suggested new legislation that could make death sentences constitutional again, such as the development of standardized guidelines for juries that decide sentences, it was not an outright victory for opponents of the death penalty.

In 1976, with 66 percent of Americans still supporting capital punishment, the Supreme Court acknowledged progress made in jury guidelines and reinstated the death penalty under a “model of guided discretion.” In 1977, Gary Gilmore, a career criminal who had murdered an elderly couple because they would not lend him their car, was the first person to be executed since the end of the ban. Defiantly facing a firing squad in Utah, Gilmore’s last words to his executioners before they shot him through the heart were, “Let’s do it.”"
mcgillianaire: (South Park Me)
[SOURCE]

"On this day in 1905, some 450 people attend the opening day of the world’s first nickelodeon, located in Pittsburgh, Pennsylvania, and developed by the showman Harry Davis. The storefront theater boasted 96 seats and charged each patron five cents. Nickelodeons (named for a combination of the admission cost and the Greek word for “theater”) soon spread across the country. Their usual offerings included live vaudeville acts as well as short films. By 1907, some 2 million Americans had visited a nickelodeon, and the storefront theaters remained the main outlet for films until they were replaced around 1910 by large modern theaters.

Inventors in Europe and the United States, including Thomas Edison, had been developing movie cameras since the late 1880s. Early films could only be viewed as peep shows, but by the late 1890s movies could be projected onto a screen. Audiences were beginning to attend public demonstrations, and several movie “factories” (as the earliest production studios were called) were formed. In 1896, the Edison Company inaugurated the era of commercial movies, showing a collection of moving images as a minor act in a vaudeville show that also included live performers, among whom were a Russian clown, an “eccentric dancer” and a “gymnastic comedian.” The film, shown at Koster and Bial’s Music Hall in New York City, featured images of dancers, ocean waves and gondolas.

Short films, usually less than a minute long, became a regular part of vaudeville shows at the turn of the century as “chasers” to clear out the audience after a show. A vaudeville performers’ strike in 1901, however, left theaters scrambling for acts, and movies became the main event. In the earliest years, vaudeville theater owners had to purchase films from factories via mail order, rather than renting them, which made it expensive to change shows frequently. Starting in 1902, Henry Miles of San Francisco began renting films to theaters, forming the basis of today’s distribution system. The first theater devoted solely to films, The Electric Theater in Los Angeles, opened in 1902. Housed in a tent, the theater’s first screening included a short called New York in a Blizzard. Admission cost about 10 cents for a one-hour show. Nickelodeons developed soon after, offering both movies and live acts."

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